Australian Content Blog

To some eyes, Queensland’s distinctive timber and tin houses gave Brisbane, and other Queensland cities and rural areas, a rather temporary, insubstantial air. Known as 'The Queenslander’, they seemed so much less solid and permanent than those built of brick or stone. Many Queensland houses were placed high in the air on tall stumps, as the supporting piles were always called, and seemed likely to simply fly away.

The Queensland house was relatively inexpensive when trees were plentiful, easy to transport, and, in a relatively calm climate, single skin, unlined walls were all that were thought to be needed to protect dwellers~people~the dwellers within} from the cold. Strong corrugated iron roofs withstood heavy tropical rain and could be re-used if dislodged by cyclonic winds.

Verandahs sheltered people from burning sun and also caught any breeze that may have been passing in the steamy summers. Shades outside window openings meant that windows didn’t have to be closed when humidity brought rain. Clever little revolving tin cylinders on the roofs removed hot air that filled ceiling spaces through decorative fretwork openings.

Although timber is not a particularly effective insulator against either heat or cold, air could flow down long central hallways in the typical Queensland house and across the house from an open window on one side through open doors to the open window on the opposite side. The exterior of some houses were painted, others were just oiled. Some verandahs were decorated with elaborate and expensive iron lace; others simply with timber frames and carved timber decoration in pediments over front entrance.

Despite the impression of apparent impermanence, the Queenslander has survived since it first appeared in the mid-nineteenth century. However, it has evolved. The simple two-room or four-room cottage has given way to large, sprawling dwellings. The pattern of the Queenslander house can be translated into the early forms of kit-set houses.

Many were manufactured by companies in Brisbane and transported long distances as flat-packs on trains. Selections of verandahs, tongue and groove boards for walls and sheets of corrugated iron for roofs were ready at the destination for assembling. The public housing movement that produced workers dwellings adapted the basic materials to different shapes and sizes suitable for lower-cost housing.

After the war, the Queenslander seemed out of date in a world of modem architecture. Brick houses, American ranch style residences and other imported styles began to populate new suburbs. However, Brisbane is a hilly city and even modem designs often adapted the idea of stumps so that houses could be close to the ground near the top of a rising allotment and high where the ground sloped away. In the late twentieth century, the old materials, tin and timber, were given new currency by innovative architects to create distinctly modem, light and airy Queensland houses.

In the 1970s and 1980s, when a drift back to the inner suburbs attracted the attention of a new generation, old Queenslanders were discovered by younger owners. They painted them lovingly and added various renovations to bring an old favourite into the modem era.

However they originated, whether from sugar planters houses in the West Indies, bungalows in India or high houses in Malaysia, the Queenslander still distinguishes Brisbane from the other Australian capital cities.

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To colour print your digital files, you have to supply the graphics and images in the correct colour mode. Many software programmes will let you to work on RGB colour or CMYK colour mode. RGB colours or Red-Green-Blue colours are known as the primary colours of the light. This colour combination is represented on your t.v. or computer monitors. The digital cameras and scanners also make pictures with Red-Green-Blue colour combinations. Red-Green-Blue colour mode ought to be used while taking photos that need to be seen on the monitor, emails or CD.

All colours of the light spectrum are created from primary colours, but monitors can display only a limited colour range from the spectrum able to be seen. Light is sent from the monitors, and the printing ink recognizes only specific wavelength of colours. The three primary colours are combined to create white. If all three primary colours are missing, the light will show as black. By combining a variety of intensities of RGB colours, each combination produces various colours. A monitor of a television or a computer is made up of small units called pixels. Each pixel contains three units of light, and each unit represents red, green and blue.

We can not actually see individual pixels with the naked eye as they are so small. Each pixel is made by applying correct values of RGB, as without the proper values of the colour units, you will not see anything displayed on the screen. The values of RGB colours are calculated mainly by three methods. The first method is to set them using different numeric values. The numeric values used for this purpose are the values from 0 to 255, and this is the simplest method of the three.

The second method is the use of hexadecimal notations. This method is mainly used for HTML and other languages of the computer. These notations follow a logical pattern. The hexadecimal notation uses six characters, with these characters being divided into three. The first pair represents the red, the second pair green and the third pair as blue. Each pair is represented by a hexadecimal number (0-9) and the letters (A-F). The third method is the percentage in which a certain percentage represents each colour. The programme translates these percentages into suitable values ranges from 0-255.

CMYK colours or Cyan-Magenta-Yellow colours are subtractive colours, whereas RGB colours are additive colours. Additive colours are referring to light, whereas subtractive colours refer to inks, paint or pigment. CMYK mode is used for printing as all kind of printers are using subtractive colours to result in a variety of colours. When three additive colours are combined, the combination will produce white colour. But when three subtractive colours are combined, the combination produces black. This difference results in a large diversity between the resulting print and the monitor display. Additive colour throws light from the monitor, and if more light is projected from a particular pixel, it will be closer to the pure light. In the case of printer inks, they absorb light and reflects only the wavelengths of light that is associated with the colour of the ink.

The inks of the printer take away the non-essential wavelengths from the light that falls on the ink. The remaining light will return to the eye, providing the impression of a variety of colours. If you are mixing several colours, then more light will be absorbed by the ink and a lesser amount of light will get reflected to the eye, which results in darker colour. Black ink produced by the CMYK colours isn’t the strong black. So you need to add some black ink to get the best results for receiving true black. To get a darker variety of a colour, you must add black in CMYK mode.

And how about the lighter shade of colours? Because white ink cannot be created using CMYK colours, you need to work under the idea that you are printing the colours onto white paper. As tiny dots of ink are used to print images the inks are used in a lower percentage to receive lighter shades so that more white is seen among the dots. The values of CMYK colours are calculated using four different percentages. The values of each percentage should be between 0 and 100 so that the total percentage of the ink values can be up to 400%. But if the total percentage reaches 400%, the ink will take more time to dry. Hence, the total percentage of ink shouldn’t be more than 300% in CMYK mode.

Both of the colour modes have limitations. Images resulting using RGB mode cannot be converted smoothly into CMYK mode because of the brightness of the RGB colours. Similarly, CMYK colours can not be converted to RGB mode as the sharp look of RGB colours is missing in CMYK mode online. This is the reason why RGB colours are used in monitors and CMYK colours are used in printers.

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Moodle is a learning management system (LMS), a piece of software designed using sound educational principles, to assist people create effective web-based learning experiences. Moodle has a large and diverse user community with over 1,000,000 registered users on the Moodle Community site, speaking over 75 languages in 200 countries.

This group includes developers, educators, system administrators and corporate users. Validated registration statistics indicate there are more than 35 million end-users of Moodle software, across the world.

Moodle is provided freely as Open Source software. This means Moodle is copyrighted, but the software can be changed and customised to suit your educational needs. Due to this, Moodle has an active web community of developers who contribute additional features to the system as requested by educators, administrators and business. Benefits include:

1. Promotion of social constructionist pedagogy through learning activities such as blog, chat, comments, forums, messaging, rss, tags and wiki;
2. Enables web-based user activity monitoring, assessment, feedback and grade book functionality;
3. Suitable for 100% online education as well as endorsing a blended learning approach by supplementing face-to-face classes;
4. Simple, lightweight, efficient, flexible, scalable and highly compatible;
5. The software is open source. This means no licensing costs or vendor lock-in. Therefore reducing the total cost of ownership and enabling your organisation to invest resources to ensure a successful deployment.

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Across Australia, it is estimated between 22 and 40% of married men and between 11-25% of married women who have been involved in an affair at least once. On the Gold Coast, with a transient population and facade of a glamourous lifestyle on offer, the estimated figures are considerably higher.

Secrecy and minimisation are what it’s all about when an affair is happening, so when it is discovered, the betrayal of trust in the relationship is the most difficult issue for a partner to cope with.

Can a relationship or marriage survive an affair? Yes, a marriage or relationship can certainly be helped after an affair, but it will take much work by both partners, particularly the partner who has cheated. Marriage Counselling over at least the medium term is essential in order to rebuild trust and the relationship.

Marriage counselling needs to focus on the following five points in order to fully recover from an affair:

1. The affair must end. The partner involved in the extra relationship must commit to having no more contact, in any form, if the marriage is to survive and rebuild.

2. The partner who has been hurt needs to be given the opportunity to express their feelings and it is necessary for the affair partner to listen, accept and validate those feelings, and also to reassure their partner that he or she wants and values their relationship.

3. The partner who was involved in the affair must take on the responsibility to rebuild trust by being honest and accountable. This means comings and goings are knowable at any time and they be willing to have phone and emails checked at any time. This will need to continue for as long as it takes for the partner to feel that the trust has been rebuilt, often up to about 6 months.

4. Discover the fundamental meaning. Both partners must explore why the affair happened so that it doesn’t occur again in the future.

5. Forgiveness. In order for this to occur, the partner who has had the affair needs to feel absolutely sorry for what he or she has done, as well as feel true empathy for what the partner has experienced.

Also, there must be a commitment and hope for a more shared future together. Only then is it possible for the other partner to be able to forgive completely.

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At the scene of any violent crime, the examining officer is likely to find blood and evidence of other bodily fluids. These can tell a great deal about what happened, not only regarding how the crime was committed, but also about the people involved.

Nearly everyone knows their basic blood type, whether it is A, B, AB, or 0, and Rhesus negative or positive. This categorising of blood into types was first done by Austrian physiologist Karl Landsteiner at the end of the 19th century. In his experiments, he took samples of blood and separated the red cells from the liquid, which is called the serum. He managed this by spinning the blood at high speed in a centrifuge. Then he took the serum and added red cells from different people. They behaved in two different ways: either the cells mixed with the serum, or they clumped together (clotted), (”agglutinated”).

A number of attempts at blood transfusion had been made in the past, but this observation explained for the first time why many had failed. When introduced blood was not of precisely the same type as that in the body, it resulted in the clumping of red cells, and the patient died. Tests of blood samples to discover whether agglutination will occur is now made prior to a transfusion being made.

DIVIDING BLOOD INTO GROUPS
Red blood cells carry substances called antigens. Antigens help create antibodies that fight infection and disease. Landsteiner believed that his experiment showed the presence of two specific antigens, which he labeled A and B. The discovery of these antigens caused him to divide human blood into four basic groups:

Group A: antigen A present; antigen B absent
Group B: antigen A absent; antigen B present
Group AB: both antigens A and B present
Group 0: both antigens absent

The specific blood group of an individual depends on the genetic inheritance from both parents. Known as ABO typing, it has been used, for example, to identify the biological father in paternity cases. How common each group is varies from one national population to another. In the United States, for example, the relative proportions of ABO groups are roughly 39 percent A, 13 percent B, 43 percent 0, and 5 percent AB.

In 1927, Landsteiner discovered two other antigen types, labeling their occurrence as M, N, and MN. In 1940, working in the United States, he and A.S. Wiener discovered the Rhesus factor, named after the Rhesus monkeys they used in their investigations. Since then, other researchers have introduced more than a dozen further group systems. Different proteins and enzymes associated with specific blood groups have also been identified.

WHAT THIS MEANS FOR FORENSICS
The ability to identify blood type is a powerful tool for uncovering important evidence in a forensic investigation. If, for example, a victim’s ABO type is O, and bloodstains of this type are discovered on the clothing of a suspect whose type is A, there is a likely probability that they have come from the victim.

Making use of the many other blood type systems now available, this probability can be increased greatly. If blood of type O occurs in 43 percent of the population, the substance haptoglobin-2 in 36 percent of these, and the enzyme PGM-2 in 5%, then the probability of an individual having these three blood types together is 43 x 36 x 5 = 7,740 in 1,000,000. In other words, around eight people in every thousand have this specific type of blood. It is still insufficient to obtain a conviction on this evidence alone, but it can help to reduce the number of suspects.

In 1925, another important discovery was made. Around 80% of humans are ’secretors’. This means their saliva, urine, perspiration, and semen contain the same substances as their blood, and can be used for typing in a similar way. In 1940, two British researchers discovered it was possible to distinguish between female and male body cells, especially the white blood cells and those of the lining of the mouth. Blood typing has now become so precise that recently one scientist showed that he could distinguish between the blood of his twin daughters, who were genetically identical, because one had experienced chicken pox and the other had not.

SPLASHES OF BLOOD
At the scene of a violent homicidal attack, blood may be present in considerable quantities. Not only will it be found on the victim, but also on the weapon and the surroundings. Indoors, the floors, walls, and even the ceilings may be splashed. Careful observation of these bloodstains can provide valuable clues about what took place. Bloodstains and splashes are classified into six basic types.

Round drops are found on horizontal surfaces; depending on the height from which they fell, they can spray out into a starlike shape. Splashes of blood are shaped like an exclamation mark; they show that blood has flown through the air and hit a surface at an angle. While a victim is still alive, spurts of blood result from the pumping action of the heart. A major artery can spray blood a considerable distance.

Pools of blood form around the body of the bleeding victim. If there is more than one pool, he either dragged himself, or was dragged, from one area to another before dying. Smears will also be found in this case. Trails are left when a bloody body is moved. There will be drops if the body was carried, and smears if it was dragged.

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Sugar, has been known to raise blood glucose causing a significant rise. Many experts believe that too much sugar does not cause a man to go blind.

Babe, is a really attractive person, especially a woman, termed with endearment. Again not a real cause for men to go blind, unless they avoid the Babe, and take up the handshake. Daddy, From Middle English dadd, perhaps of Celtic origin, compare Welsh and Gaelic dadf. Some of these Daddies may already be blind, or induce blindness with substances. Others avoid blindness with Sugar and Babes.

We are a unique Sugar Daddy AGENCY with a selective portfolio of companions available NATIONALLY. We Specialise in providing Companions for Sugar Daddies. If you are seeking a Sugar Baby and you are an eligible Sugar Daddy then be your own Matchmaker and start Matching with the Sugar Babes now.

We offer a first class booking service. If you are looking for a Sugar Babe for that special social event or regular date, then you have come to the right place. Our Sugar Babes’ are intelligent, warm, friendly people who also know how to dress to impress for that touch of glamour. Please feel free to browse through our site and Sugar Babes, if you have any questions about our service or companions do not hesitate to contact us.
Sugar-Daddy offers a professional service in both behaviour and talents.

Each profile of our Sugar Babes contains the Sugar Babes recent and genuine photographs, along with the fees, statistics and other information. So take your time to browse our fascinating selection of stunning young Sugar Babes and travel companions displayed in our gallery. Contact us with your enquiries or selections and we will gladly assist you. We can assure you that the Sugar Babes which are to be introduced to you are beautiful, stylish, friendly sexy companions that will suit your requirements. When you call you will always be greeted by a friendly and helpful young lady. Please feel free to discuss with her your requirements for one or more of our companions. We aim to provide an honest and efficient service with a personal touch.

At Sugar-Daddy we offer a social experience for the genuine gentlemen. We have Sugar Babes for your forthcoming Corporate Functions, Cinema, Theatre, Sporting Events, Dinner, Shopping Trips, Weekend Travel, Holidays, or if you are here from Interstate and simply missing a date for an event. Dinner Dates are also most welcome, as our upmarket ladies will wine and dine in the classy environment that you will provide. We offer Sugar Babes from 3 hours up to 24 hour periods. Why be alone when you can have conversation, laughter, and fresh perspective to add to your day or evening.

All of our Sugar Babes will require the relevant details necessary for a date, such as venue, name, times, travel arrangements, and payment method. This is so as to avoid confusion and to offer complete safety for both parties. To assist in meeting your requirements we suggest advanced bookings to ensure availabilty.

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Uniforms are a standard group of clothing worn by members of an organisation while participating in an activity. Familiar uniforms are school uniforms, which many academic institutions require students and sometimes staff to wear. Uniforms are regarded as equalisers that remove differences among the people wearing them. Other sets of uniforms are for office workers. As a professional appearance essential to the good image and reputation of a company, uniforms are required in order to make the company look orderly and professional.

Sports uniforms are a familiar image. Uniforms are almost universally worn during sporting events and games. And, although it is important that a sports team is seen as orderly and even professional as with the previous types of uniforms, athletic uniforms are focused on providing comfort to the players. They must allow them to move with ease.

Things to consider when using Sports Uniforms for Promotions
An important thing to consider when using Sports Uniforms for promotions is the type of fabric used. It’s important that the fabric be lightweight and comfortable. They should also be made of fabrics that are breathable and provide protection against skin complications. The materials should also cope with any movement and unexpected stretches. And it also should be durable enough not to shred apart.

You can buy athletic uniforms that bear corporation logos. These tell us that these companies support teamwork and unity. Uniforms may become a symbol of togetherness and source of pride to each member of a team.

Uniforms as Promotional Tools
Companies often run corporate functions, team-building exercises, and even sporting functions. These functions can provide the perfect opportunity for employers and employees to relax and enjoy every activity. It’s also the perfect opportunity to promote a business. The company is able to take advantage of this time to improve team spirit through the use of Sports Uniforms. They can be given out to company workers as promotional sportswear. They are simple gifts, but can be appreciated by your employees.

Sponsoring Sports Uniforms is also becoming a prominent means of advertisement and promotion of company brand and logo. You may have noticed that on various parts of the uniform are logos of sponsoring companies. As with most other promotional gear, athletic uniforms have logos that depict these sponsoring companies. Because sports uniforms are expensive, it is wise to allow companies to sponsor their uniforms in exchange for the logo items printed on it. During games, uniforms are used and so logos are exposed.

Companies often offer to sponsor uniforms, especially to winner teams. This means they are be related with winning teams, and that is good for the image of the business establishment. It creates an analogy that they are both winners in their own fields.

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In A Nutshell Shade Sail’s are a length of fabric suspended between fixed points providing shelter from the elements.

A little more detail Shade Sails are made from quality, shade cloth -which is a fabric (usually a combination of high density Polyethylene with a filler thread or tape), which has a stainless-steel wire sewn into the perimeter. Shade Sail’s are suspended between posts or roof/wall fixings and offer shade. Designs are based on ‘sails’ from ships, and are available in almost any shape but are usually created as triangles or variations of squares/rectangles.

Ancient History
The ancient Egyptians, Greeks and Romans were the first cultures to use large pieces of fabric to create shade. The Colosseum in Rome was shaded with a number of large canvas ‘sails’ which were pulled into place by Roman sailors.

Recent History
Modern Shade Sail was developed to a commercial level in Australia in the 1980s, when people started trialling different shade cloth materials and installation techniques.

Although the concept of a shade sail is simple, differences in designs, components and manufacturing processes can largely affect your resulting product.

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yChatter.com offers a fabulous new way for those hunting for a flatmate to get in touch with prospective roommates and find rental properties in Sydney. The site offers absolute privacy to both renters and owners while offering a way for them to communicate directly.

The latest site you are able to look through share accommodation in Sydney is yChatter.com, which blends social networking with real estate in a fresh way that brings property owners, flatmate finders and renters together. Owners or people searching for a flatmate or roommate simply create a listing for their property, and then those looking for rental properties in Sydney can browse those listings. Tenants create a profile, detailing specifications for what they need in a share accommodation or rental property. They can then easily sort the rental properties on yChatter.com according to those specifications, or look at what else is available. Flatmate finders can do the same with the share accommodation listings on the site.

When flatmate finders or renters find a share accommodation or rental property they are interested in, they can put it on their watch list. This opens up the capability to send a message to the property owner or potential roommate through yChatter.com. They can ask questions about the rental properties, book a viewing of their favourite share accommodation and more.

Cheryl Aitken, co-founder of yChatter.com, says, “It’s never been easier to find rental properties in Sydney. yChatter.com provides a great way for potential tenants and flatmates to communicate with owners without having to reveal their contact information until they are ready.”

On social networking sites, people connect by linking to friends and sharing photos with themselves and yChatter.com uses this feature to help renters find the best share accommodation or rental properties that have what they need. Having a photo on the site makes a renter seven times more likely to win the rental properties they want and property owners who upload photos of their rental properties are also more likely to find a great renter.

Managers at yChatter.com recommend looking at several rental properties because it can take just a few days or an entire month to find the right share accommodation. Flatmate finders who don’t post a picture of themselves are going to spend even more time looking.

Property owners also have the opportunity to use the free service from yChatter.com to see who is looking at their rental properties. They can send offers to renters they think would be a good fit. Renters or flatmate finders can then decline or accept the offers right through the yChatter website, making it very easy to indicate their intentions to the owners without having to call them.

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Impressionism was a major artistic movement, first in painting and then in music, that developed primarily in France during the late 19th and early 20th centuries. Impressionist painting is defined as the work produced between about 1867 and 1886 by a group of artists who shared a set of similar approaches and styles. The most noticeable characteristic of Impressionism was an attempt to realistically and objectively depict visual actual scenes in terms of moving effects of light and colour. The principal Impressionist painters were Claude Monet, Pierre Auguste Renoir, Camille Pissarro, Alfred Sisley, Berthe Morisot, Armand Guillaumin, and Frédéric Bazille, who collaborated together, influenced each other, and exhibited together and alsoindependently. Edgar Degas and Paul Cézanne also worked in an Impressionist style for a time in the early 1870s. The established painter Édouard Manet, whose work in the 1860s influenced Monet and others of the group, himself adopted the Impressionist approach about 1873.

These artists became dissatisfied earlier in their careers with academic teaching’s emphasis on depicting an historical or mythological subject matter with literary or anecdotal overtones. They also rejected the established imaginative or idealizing treatments of academic painting. By the late 1860s, Manet’s art reinforced a new aesthetic—which was to be a guiding style in Impressionist work—in which the importance of the traditional subject matter was ignored and attention was moved to the artist’s manipulation of colours, tone, and texture as ends in themselves. In Manet’s work the subject became a vehicle for the artistic composition of areas of flat colour, and perspectival depth was minimized so that the viewer would look at the surface abrasions and relationships of the depiction rather than into the illusory three-dimensional space it created. About the same time, Monet was influenced by the revolutionary painters Eugene Boudin and J.R. Jongkind, who painted fleeting effects of sea and sky using highly coloured and texturally varied methods of paint application. The Impressionists also copied Boudin’s practice of working entirely out-of-doors while in front of the actual scene, instead of finishing his painting from sketches in the studio, as was the normal practice.

In the late 1860s Monet, Pisarro, Renoir, and their colleagues began painting landscapes and river scenes in which they tried to realistically show the colours and forms of objects as they showed in natural light at a given time. These artists stopped using the traditional landscape palette of muted greens, browns and grays and instead painted with a lighter, sunnier, more brilliant palette. They started by painting the play of light on water and the reflected colours of ripples, trying to copy the many and motion effects of sunlight and shadow and of direct and reflected light that they observed. In their efforts to reproduce actual visual impressions as registered on the retina, they reduced the use of grays and blacks in shadows as inaccurate and used complementary colours instead. More importantly, they learned to paint objects out of discrete flecks and dabs of pure harmonising or contrasting colour, thus evoking the broken-hued brilliance and the variations of shade produced by sunlight and its reflections. Forms in their paintings no longer were with clear outlines and became softer, shimmering and vibrating in a re-creation of actual outdoor conditions. Ultimately, traditional formal layouts were abandoned favouring a more casual and less contrived disposition of objects within the picture. The Impressionists extended their new techniques to depict landscapes, trees, houses, and even urban street scenes and interesting buildings such as railroad stations.

In 1874 the group held its first show, independent of the official Salon of the French Academy, which had regularly rejected almost all of their works. Monet’s painting “Impression: Sunrise” (1872; Musée Marmottan, Paris) earned them the initially disdainful name “Impressionists” from the journalist Louis Leroy who wrote of them in the satirical magazine Le Charivari in 1874. The artists themselves soon adopted the name as their intention to accurately convey visual “impressions.” They held 7 subsequent shows, the last in 1886. During that time they continued to develop their own personal and individual styles. All, however, affirmed in their work the principles of freedom of technique, a personal rather than a conventional approach to subject matter, and the realistic reproduction of nature.

By the mid-1880s the Impressionist collaboration had begun to break down as each painter increasingly pursued his own aesthetic interests and principles. In its short existence, however, it had begun a revolution in the study of art, providing a technical starting point for the post-impressionist artists Paul Cézanne, Edgar Degas, Paul Gauguin, Vincent van Gogh, and Georges Seurat and clearing subsequent Western painting from narrow techniques and approaches to subject matter.

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